PUBLISHER 6 JULY 2026 www.goodnewsfl.org Good News • South Florida Edition The struggle is real. All too often we travel a road that has been charted by others. Parents, schools, coaches, the public or friends …what’s expected of us, if you will. Some swim against the stream and go into ministry, art and culture, teaching; the more humbling and less well compensated, and some feel a calling from above to be true to thyself. Something that motivates you because it just feels right. Back in the 1970s I met Rita Coolidge, who was touring and becoming a big rock ‘n’ roll star, and I was doing an interview with her for a front cover feature of my then music publication. Coolidge had a songwriting boyfriend, who was always with her. He was a little older by rock standards at that moment but later became her husband. His name was Kris Kristofferson, a truly unpretentious “good old boy” with a rumbling, easy laugh and eyes that were piercing; interested in every word spoken. I was aware of Kristofferson, who had written some major songs for other artists in those early years. The interesting rumors about Kristofferson were his insane background — insane by the music world standards — so I paid great attention to his body language, words and reactions out of curiosity. Remembering, it just seemed to be the truth of his comfort with who he was. I recently came across this interesting essay written by “Mera” and, by now, most of it I already knew about Kristofferson, but I like the construct of the article. I don’t need to know every pulsing heartbeat of fame or tragedy, the fact that he had the seemingly typical rock ‘n’ roll ‘alcohol abuse’ and hard partying infidelities; that life deals different cards to different people, and it makes it interesting when I come across people who walk to the beat of a different drummer and take positive steps to live a life of fulfillment. Kris Kristofferson mainly wrote music you could hear, introspective lyrics, words and phrasing, not the then bubblegum lyrics of the day; he dealt in his reality: Just give me the truth. Kris Kristofferson died on September 28, 2024, at his home in Maui, Hawaii, at age 88, and the final detail felt almost too quiet for a man who had once walked away from one of the safest, most respected lives imaginable. Born on June 22, 1936, in Brownsville, Texas, he was not only a country singer with a gravel voice. He was the man who could have worn rank, taught literature, flown helicopters and lived inside every answer his family thought made sense. Before Nashville knew his name, Kris already looked like someone built for a polished life. At Pomona College in California, he became the kind of student people remembered, not only because he was smart, but because he seemed good at nearly everything. He played sports, boxed, wrote, studied literature and graduated in 1958. That same year, at 22, he went to Oxford as a Rhodes Scholar, one of the most respected academic honors in the world. At Oxford, he studied English literature at Merton College and kept chasing the writing life that had already started pulling at him. Imagine being in your early twenties, surrounded by old libraries, formal traditions, and people who expected greatness from you in a clean, respectable way. “He had the brain for the classroom, the body for the Army, and the soul of a man already listening for a song nobody else could hear.” That is what makes his story hit so hard. He was not running from failure. He was walking away from success. After Oxford, he joined the U.S. Army and became a captain. By the early 1960s, he was a Rangertrained helicopter pilot, serving with the discipline of a soldier and the imagination of a writer. Most men would have stopped there and called it a complete life. By 1965, when Kris was 29, the safe road was almost perfectly laid out in front of him. He was offered a position teaching English at West Point. It was the kind of job that made sense on every level. Oxford, literature, Army rank, discipline, respect, family pride. Everything connected. Everything looked right from the outside. Then Kris did the thing almost nobody around him could understand. He chose Nashville. Not a guaranteed music career. Not fame. Not money. Nashville. Songs. Rejection. Cheap rooms. Empty pockets. A songwriter’s life with no promise except the chance to tell the truth. “A man can have the degree, the uniform, the rank, and the future already waiting, and still feel like he is betraying himself by staying.” His family did not celebrate that choice. To them, it looked like he was throwing away everything. To Kris, staying would have meant losing something deeper. The world saw a Rhodes Scholar and Army captain. He saw a songwriter trapped inside a life that was becoming too safe to breathe in. In Nashville, the contrast became almost unbelievable. The Oxford-educated captain worked as a janitor at Columbia Recording Studios. He swept floors and emptied ashtrays near the rooms where real music was being made. That detail still feels unreal. A man once headed toward West Point was now cleaning up after sessions, simply because being close to songs mattered more than looking important. But that hunger changed everything. In 1969, Roger Miller recorded “Me and Bobby McGee.” In 1970, Johnny Cash took “Sunday Morning Coming Down” into the hearts of country fans, and Ray Price made “For the Good Times” a No. 1 country hit. Then came “Help Me Make It Through the Night,” the kind of song that sounded less written than confessed. Kris did not write country music like a man decorating pain. He wrote like a man who had lived inside loneliness long enough to describe the furniture. “He turned regret into poetry, desire into plain language, and Sunday morning emptiness into something millions of people suddenly recognized in themselves.” Hollywood found him too, and “A Star Is Born” (1976) made him a face beyond country music. But he never felt like a polished Hollywood invention. Kris carried dust with him. He looked like a man who had read poetry before breakfast, flown through danger by afternoon, and still knew how to break your heart with one simple line. That is why his death felt different. When Kris Kristofferson left the world in Maui at 88, it was not just the ending of a singer’s life. It was the closing of a rare American gamble. He had been handed the safe life, the educated life, the respected life, and he still chose the dangerous little road where songs were waiting. He did not chase comfort. He chased the truth. - Leslie J. 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Feldman [email protected] Editor: Shelly Pond [email protected] Anitra Parmele Senior Writer [email protected] Art Director: Milton McPherson [email protected] Associate Art Director: Joseph Sammaritano [email protected] Advertising & Marketing: Robert “Buddy” Helland Jr. V.P. Sr. Marketing Manager [email protected] Cover Photography: Luis Feliz [email protected] Social Media Manager: Ariel Feldman [email protected] Editorial Assistant: Eric Solomon [email protected] Rita Coolidge and Kris Kristofferson Good News •July • Volume 28 Issue 4
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